Cyclical Wordplay Artwork

Cyclical Wordplay Artwork
Title: Mountain Reflection on Cyclical Wordplay (original manuscript made into art)

On the Artwork

On the Artwork

By using a spontaneous form of action painting, without touching the brush to the paper at any time, three different shades of paint; gold, white and black, are used to emphasize free form, spontaneous creative expression not only in the written word, but in the space that it occupies. This method of action painting which withholds all contact with brush and medium excites notions of letting pure spontaneity occur through the open-ended natural course of creation taking shape out of human hands (in the air).

This representation of the spontaneous action of free form creativity in writing makes the viewer look at the entire page as one unified expression in the creative form of the particular written piece, whereby the empty space defines the writing as much as the words expressed on the page. Those who habitually write freehand, especially free form, improvisational writers, know that the limited size and type of paper (e.g. whether there are lines, creases, folds, graphics, etc.) inevitably divides up the rhythm of open-ended spontaneous expression.

By utilizing circular objects, such as plastic compact disc panels and other circular objects, I have used a method of action painting where I flit a paint-covered brush repeatedly to introduce a dense splatter effect over a circular form in order to regard the fact that all writing is inevitably formed by the shape of the letter, word and sound through which its expression carries. Another method of action painting brought me to form sizeable globs of paint in shape of an oval, especially at the end of a tail of paint or alone, confirming the universal truth that with free form, spontaneous movement, all form inevitably assumes a circularity (or cyclicality), as represented in the oval, sphere and all other circular formations found in nature that are central to the creative essence of form.

The center of the artwork details a line with a globular oval end protruding into a circular form. This marriage of two different methods of action painting, spraying over a concretized foreign object and allowing natural shapes to occur, is the central image in the piece, which glorifies human intent metaphorically through many complementary symbols, as in the sperm and the egg among others. The globular oval and thick line formed near to the core image represents a leading expression, passing away from the center’s concretized circular form, from which the rest of the paint devolves as miniscule spatial occupations on the page. The rest of the action painting signifies the importance of relatively negligible marks defining a whole expression of greater density and presence.

Note:

The process of creating this piece: freehand spontaneous writing on notepads, transcribing writings onto a computer, editing form of writing into conventional poetics, typing out each piece onto self-prepared craft paper, stitching together each page into a wall mural (or spatial literature), action painting, re-configuring the entire spatial layout page-by-page, photographing and scanning each page, designing the end artwork via computer software

Preamble

Preamble

Opening the page to experimental, improvised writing which emphasizes and attempts a most strict depiction of the spontaneous nature of mind can be perceived with harrowing aspiration in the realm of continuity; that is flipping the page.

As a forewarning of sorts, this collection of writing, as devised for readership, is the result of an editing which has purpose in giving the spontaneous flow of mental activity form. While attempting to convey the refreshing action of letting go, all structure and boundary and, in sense, constructs of mind are dissolved.

The writing asks many questions to the reader: Where do we place ourselves as we remain glued to the mirror image of our world? When do we notice that the contour and shape of the mirror-image reflected into our minds is in fact an artificial; that is reflective function, as opposed to a direct sight? How do we understand and make observations into the absolved outpouring of mental fruition through a most basic, almost instinctual, resonance with words as mere vessels of human energy? How can we instill in the reading a sense of self, a theatrical play of noticing self as natural form, spontaneously resolved and perceived in the moment?

The title of the collection “Cyclical Wordplay” brings to light the foundational nature of creation as a cyclical process, with rhythmic momentum in a constant transition between renewal and decomposition. The idea “Wordplay” refers to a notion that words can be as sounds on an instrument, simply meant to be full to the brim with a particular feeling and raw emotion/thought/idea/sensation through which it is able to carry into a context of form and meaning. So, in a sense, we can conceive of words' symbolic sound, through which the newfound impression of the given moment may relay its inward need to express itself in a very subtle form; through a word. Each individual reader is as an instrument through which that symbolic sound or word idea is carried and resonates with a new meaning each time, according to the particular temperament and character of the individual, allowing that symbolic sound or meaning to carry through them as its basic vibration.

An attempt at ethnographic science!

The willing sink in their seats.
Pure elements rain on the few.
They are felt, inspired.

The air is too hot.
It is dreamed with steam and smoke.
Waking is consumed with the taste of ash.

The Phoenix appears in ultimate silence.

Insects and weather play in hiding.
It is no theft, distraction, or hiding,
yet imbued with meaning.

Blink and you will see.

“Only a small bit of sugar. Graze the flesh.”

She was out of control.

“The adult bookstore is two blocks down.”

 “Thanks, we will take more juice.”

The waitress gave a grimace.

“Or was that a smirk”

I was blatantly high.

“It took away my power to think.”

“And what would you rather believe?”

“Well, why don’t we just leave it up to Travis”

“He is taking classes with that darned Jehovah’s Witness”

“The music is too loud in here”

“We could flip on the tube”

“I don’t like your taste”

“Fuck you”

The conversation has devolved and been repeated many times.
On couches.
Between walls.
There are instruments lying around,
pens, speakers, pillows, drinks, shoes, sandals, a tie and hat, camera, cigarette…

“Any color?”

“You are not so creative, the art in you has fallen all out of whack after your stint with that musician!”

“He wasn’t a musician…more like a theatre host for the oldest religion in all of mankind…money.”

There are heart attack shudders of breath in the audience, multiple elderly persons stagger out in shock.

“How may you be served tonight, Sir?”

“A fifth of your finest whisky and a choice cigar…please be in a rush!”

The man falls from leaning on the counter to revealing his belt line, throwing up his arms in fiery dismay.

“He appears to be on the edge of vomiting.”

“How pathetique!”

A soft exclamation marks the pathway of the old man, 
he steps heavily
pulling in a near-catatonic state into his penguin-suit clothing.

All mimicked brain patterns are breaking
and the sparks of life are forming
like embryonic exoskeleton brine

The old man fights for his air
and footing.

“We perceive this as if it is really taking place”

“I…can’t…take…this…some…one…HELP!”

He croaks.

“There is a line that gathers outside of the cathedral today,
for a member of royalty has passed into the netherworld.
We have lost yet another of the empire‘s great leaders and conceivers.

Feel the impossible friction through the passageway into the beyond…
Poetic voices stir, rising with the afternoon,
as one of the humanitarian greats is so
…greatly, missed.”

The hospital setting drives home a maddening suspicion of human error.
There are indifferent army medics, our soldiers of health,
that surround technological masterpieces.

Two stunning works of horror art display themselves
like toy idols to the Babylonian gods that turned the world exodus
into a fly-swatting paranoia.

The tanks roll away.
All is calm
and the nuclear curtain backfires into the intelligence realm
in a hush. 

Feb 19, 2010
L.A. apartment

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